|
|
A Ford Pick up, a 66 Pan/Shovel, a 2004 Custom (Jeffrey), a 69 Triumph (Vince)… It is because of these vehicles that these artists know each other and that we have this exhibition — presented first at galerie lange + pult in Zurich in January.
|
Les filles du calvaire Gallery
|
|
|
The galerie laurent mueller presents a solo exhibition of the French artist Laurence De Leersnyder with a selection of works specifically designed for the event. During her realisations, Laurence De Leersnyder puts the idea aside in favour of intuition. Indeed, her actions are elementary and without virtuosity.
|
Galerie Laurent Mueller
|
|
|
On the occasion of the 50th anniversary of Algeria’s independence, the Magnum Gallery presents a unique collection of vintage prints coming from the photographers personal archives.
|
Magnum Gallery
|
|
|
The exhibition traces the highlights of the movement led by Aldo Rossi. Rejecting the notions of avant-garde and Utopia to initiate a political and critical architecture tuned into reality, La Tendenza offers a new approach to the architectural project founded on a renewal of drawing and the image.
|
Centre Georges Pompidou
|
|
|
The exhibition shows different expressions of concept and representations of space in post-war Italian art through 20 selected works — from the conceptual explorations into 3-D in the canvases of Lucio Fontana to the geopolitical images of the world by Alighiero Boetti.
|
Tornabuoni Art
|
|
|
Gregory Cuquel’s approach acts metaphorically on its production: he develops his art from items that nobody wants, but as they are transformed into art these items are brought into another life. Once acquired by a collector or institution, these combinations of materials that no one wanted become the objects of much attention and care.
|
Olivier Robert Gallery
|
|
|
Chitti Kasemkitvatana proposes a casual talk with Yoann Gourmel & Elodie Royer inside the exhibition Mount Fuji Does Not Exist at Le Plateau. Besides, the second intervention will take place at Parc du Buttes-Chaumont on this date after the talk, if the weather permits.
“More updated info coming early next week”
|
Lecture
Frac île-de-france, le Plateau
|
|
|
Louis Soutter (1871-1942) was a prolific artist whose work, at the turn of two centuries, is a forerunner of modernity and part of the wider picture of the history of forms.
He died in 1942 in a hospice in Ballaigues (Switzerland), leaving a remarkable body of work whose profound modernity has only recently come to light.
|
Lafayette Anticipations
|
|
|
In all his work, Didier Vermeiren (Brussels, 1951) questions the tradition of sculpture and its possibilities today. He belongs to a generation of artists who, since the 1970s and drawing on the legacy of conceptual art, minimalism and history, have been instrumental in redefining the dialectic of art.
|
Lafayette Anticipations
|
|
|
(French only) Chaque année, un artiste est invité à investir le patio. Pour l’été 2012, la jeune artiste allemande, Luka Fineisen propose l’installation « fluide parfait »,un réservoir conçu spécifiquement et placé en hauteur au dessus du mur le plus éloigné des tables du café déverse une mousse légère et aérée sur un plan en verre légèrement incliné.
|
Lafayette Anticipations
|
|
|
7 PM → 4 AM
(French only) Plateforme organise la troisième édition de l’évènement Résurgences, conçu comme une exploration des arts éphémères et performatifs.
De 19h00 à 4h00 du matin, l’évènement propose une expérience collective où les formes performatives et sonores se répondent dans un voyage initiatique, métaphorique et spatio-temporel.
|
Performance
Plateforme
|
|
|
Nikolaj B.S. Larsen elaborates under our eyes an exhibition tribute, where the usual speech is moved and invites the spectator to re-examine the notion of “migration”. For the occasion of Promised Land exhibition, Nikolaj B.S. Larsen will show his recent works to documentary aspect.
|
GVQ – Vanessa Quang
|
|
|
(French only) Les rouge, bleu, vert, jaune, orange éclatent, la féminité est à l’honneur et FKDL suscite à nouveau la curiosité. Franck Duval, qui manipule les couleurs du passé comme personne, leur donne une nouvelle résonance.
|
Since Gallery
|
|
|
Born in 1987 in Argentina, Dani Dan is an emerging artist, who draws his inspiration from graffiti, graphic design, and pop-art and often depicts his everyday life in Buenos Aires or his childhood.
His vibrant and colored paintings take the form of positive and encouraging point of view about our daily life. They i…
|
|
|
|
(French only) Morgane Tschiember est née le 24 juin. John Armleder aussi, Sylvie Fleury également, ainsi que Lisa Ruyter. Morgane Tschiember trouve qu’on devrait faire une exposition avec ces artistes nés le 24 juin. Elle en parle à la Galerie de Multiples qui semble intéressée…
|
GDM, Paris — Galerie de Multiples
|
|
|
Becoming a woman and wondering what a woman is are two essentially different things. I would go even further — it’s because one doesn’t become one that one wonders and, up to a point, to wonder is the contrary of becoming one — Jacques Lacan, Séminaire III, Les psychoses (Qu’est-ce qu’une femme), 1981.
|
|
|
|
Mathematics represent space and time as two inseparable notions influencing each other, space-time has four dimensions: three for space, x, y, z, and one for time, t. The artists play on this impalpable matter which draws toward mental and physical reflection.
|
Anne Barrault Gallery
|
|
|
Entropie is the first solo show of the artist Vhils in France. He questions the idea of icon, giving again a dominating place to the anonymous who makes the identity of a city. He explores the history of a place and its evolutions and seeks to give a new face to the urban landscape which he makes the most of it like a field of popular inspirations.
|
Magda Danysz Gallery
|
|
|
(French only) Permutations anodines, déviances imperceptibles, contre-emploi sans conséquence, sans emphase et toujours avec des moyens simples, les gestes des artistes qui figurent au générique d’Une Guêpe dans le K-way, pourraient renverser puissamment le cours des choses en accordant plus de légitimité aux rêves qu’à la réalité, aux contes qu’à l’histoire.
|
Semiose Gallery
|
|
|
Inspired by Pop Art, Farhad Moshiri has developed a remarkable and hybrid visual language that draws at once from popular Iranian and Western cultures. In the exhibition Fire of Joy, the artist is playing upon the concept of “happiness”, which for him leaves greater place for sarcasm and cynicism.
|
Emmanuel Perrotin Gallery
|
|
|
Aya Takano is a painter, artist, creator of Mangas and author of science-fiction novels. We find surprising and sundry references in her paintings : Italian Renaissance, animes, art from the world of Ukiyo-e (Hokusai for example), particularly that of Shunga and the erotic prints in her work.
|
Emmanuel Perrotin – Saint Claude Gallery
|
|
|
Claire Decet reveals us the disturbing beauty hidden in the visible darkness. Landscapes of nuclear power station, abandoned vegetations, her topics are treated with a quite particular melancholy. Her colorful, neat and smooth from appearance reveal all the fragility of our societies.
|
Jeanrochdard Gallery
|
|
|
Maria Rebecca Ballestra is an artist strongly interested in political and ecological problems, Gayle Chong Kwan creates a world of her own for her photographs and Teodoro Lupo offers us the most lyrical approach — his concern is to enlighten what lies hidden in the shadows, to cast light upon natural beauties.
|
Alberta Pane Gallery
|
|
|
(French only) L’épouse d’Helmut Newton a entamé sa propre carrière photographique à Paris en 1970. Son mari lui apprend à manier son appareil et son luxmètre, pour qu’elle puisse réaliser à sa place une photo publicitaire pour la marque de cigarettes Gitanes. Le célèbre portrait qui en résulte sera le point de départ de sa nouvelle carrière.
|
MEP
|
|
|
The world has always surrounded Charlotte Rampling in an aura of mystery best reflected in her legendary eyes and their own enigmatic gaze on the world.She has left her mark on screen, stage and song and now Charlotte Rampling reveals the various and very personal aspects of a life-long interest in Photography.
|
MEP
|
|
|
Dominique Figarella and Raphael Hefti have developed new forms of abstraction by making use of randomness and pushing materiality into its very limits. Their works are canvases as much as time-bomb-sculptures, in a material mayhem featuring failure, experimentation and rough-handedness.
|
Art : Concept Gallery
|
|
|
For its fourth carte blanche, Bendana — Pinel Art Contemporain asked Sandra Mulliez, collector, to be the curator of the exhibition. Her choice of artists : Bianca Argimon, Theodora Barat and Vahan Soghomonian. Through a selection of videos, sculptures, drawings and installations, the three artists create a meaningful and original dialogue.
|
Bendana | Pinel Art Contemporain Gallery
|
|
|
7 PM
(French only) Le Centre Pompidou accueille, depuis 1999, le Prix Fondation d’entreprise Ricard qui récompense un artiste de la jeune scène française. Adrien Missika arpente, filme et photographie au cours de ses voyages les lieux et « monuments oubliés », naturels ou construits. L’artiste invente ainsi des récits poétiques mettant en scène des images de phénomènes naturels.
|
Event
Centre Georges Pompidou
|
|