| |
|
A collective exhibition with Christian Bonnefoi, Jean Degottex, Hans Hartung, Herta Müller, Jean Pierre Schneider and Pierre Tal Coat.
|
|
Berthet – Aittouarès Gallery
|
| |
|
The project “The Office of Gravitational Documents #Fax” takes the shape of a process that implements simultaneously the realisation of an exhibition, its archive and the fabrication of a publication. Upon reception, each fax is validated by a stamp, numbered, photocopied and stored in a mural file dedicated to each artist.
|
|
Galerie Laurent Mueller
|
| |
|
As a great observer of the world around him, Tango delivers humorous notes and moods. In very simple situations, or even absurd, he creates an extremely comical and poetic world, often preferring to bring into play the animal figure rather than a human being.
|
|
School Gallery / Olivier Castaing
|
| |
|
(French only) La galerie Mercier & Associés présente sa seconde exposition dédiée à l’artiste Guidette Carbonell (1910-2008). Son travail recouvre plusieurs pratiques artistiques : une trentaine de tapisseries inédites sont présentées, complétées d’œuvres céramiques et de dessins.
|
|
Mercier & Associés Gallery
|
| |
|
6 PM → 10 PM
LE BAL is inviting several personalities, artists, historians, critics and philosophers to explore Mark Lewis’ work in all its complexity and to explore the temporal notions and notions of perception that it puts in play. The work notably explores the attention paid to details which reveal a certain state in contemporary society.
|
|
Lecture
Le BAL
|
| |
|
6:30 PM → 8 PM
|
Opening
|
During the opening of Mark Clare’s exhibition two of CCI’s artists in residence will present their work to the public. Visual artist Seamus Harahan will screen a number of films in his studio. Una Monaghan, Irish traditional harpist, will perform work which combines Irish traditional music with new technologies and experimental practices.
Centre culturel irlandais
|
| |
|
7 PM → 9 PM
The cycle meetings “Cheese Theories” proposes taking a look at cheese from different theoretical angles. It covers production processes, conservation methods, technical limitations of an unstable product, study of the influence of forms on the perception of taste, analysis of the bacteriological environment in production methods, and etymology and place names of products.
|
|
Lecture
Fondation d’entreprise Pernod Ricard
|
| |
|
Versatility and perceptiveness characterise Mark Clare’s artistic practice. An inquisitive nomad, he embraces a variety of media including video, animation, performance and sculpture in response to the setting in which he finds himself. For this exhibition, he will exhibit new work as well as installing two pieces in the courtyard of the CCI.
|
|
Centre culturel irlandais
|
| |
|
The Laboratoires d’Aubervilliers presents Yael Davids’ first solo exhibition in France. The artist has designed an installation that takes hold of space, exploring questions of territorial limits, their implications, and the cultural meanings and identities objects convey across temporal and geographic shifts and dislocations.
|
|
Les Laboratoires d’Aubervilliers
|
| |
|
A good fifty years before the invention of the digital reader, artists began to destroy books, sticking them together, nailing them and defacing them; in other words, rendering them unusable and unreadable. They made existing books unique, making them useless (and thus artistic) objects.
|
|
Topographie de l’art
|
| |
|
Carlos Vergara presents the exhibition Sudário. The artist explores a dialogue between the Jesuit missions of southern Brazil and the Chapel of Saint Laurent in the fifteenth-century Saint-Gervais Church. This exhibition is in partnership with YIA Hors-les-Murs and will take place in the Saint-Gervais church at the occasion of the Marais Chrétien week.
|
|
MdM Gallery
|
| |
|
The artists of the Anarchive collection are among the most important in contemporary art. All are pioneers who have explored several types of media, in particular video, film and other technologies which they had access to at different points in their creative and artistic trajectories, some of which began in the sixties and seventies.
|
|
Michèle didier Gallery
|
| |
|
Nicolas Guiet’s works extend the concept of the painting to that of volume in space. With the aid of canvas and a wooden stretcher Nicolas Guiet creates abstract forms. Especially for the exhibition, the artist has created a large work the length of the gallery, running along the floor and wall.
|
|
Jean Fournier Gallery
|
| |
|
A glimmer from afar — The isosceles lock in relief, its core the twinkling lake — A prey to the threat: gently walking on the bushy banks, then proceeding in the hold and yet — Sudden — Certain — The fall — Towards the abysses the palms are shaking, a brilliant pink.
|
|
Perception Park Gallery
|
| |
|
"Since the other night I have essentially been working in a prospective fashion, focusing on premises (i.e. intuitions) as belonging to the body of un-identified figures (whose process of recognition I promote) yet subject to the caprices of the appearances that this nebulous subject engenders…”— Stéphane Bérard
|
|
Eva Meyer Gallery
|
| |
|
The architecture of this improvised laboratory is transfigured, disfigured by installations where constructions in the present arise from foundations set in the past. 1:5 scale photographs of ephemeral outdoor installations realised in the Petite Ceinture de Paris feature on the gallery space’s walls.
|
|
Dohyang Lee Gallery
|
| |
|
The Fondation Cartier pour l’art contemporain presents a major solo exhibition of American artist Bruce Nauman’s artwork, the first in France in over 15 years. For the occasion, the artist made a careful selection of recent works never before shown in France, along with some earlier installations.
|
|
Fondation Cartier pour l’art contemporain
|
| |
|
(French only) La galerie présente — en amont de sa participation à Drawing Now — « Empan », qui réunit dans une forme courte François Maurin, Daniel Otero Torres, Félix Pinquier et Anne-Charlotte Yver, autour d’une réflexion sur la matérialité du dessin et ses possibles perspectives.
|
|
Marine Veilleux Gallery
|
| |
|
A mapper of sound and visual composer, Rémi Dal Negro places summersaults, moments of respiration and silence in his creations, silences which are worth more than that which the artist intends for us to see or hear. The exhibition takes the visitor on an evolving journey, plunging the visitor into the artist’s subconscious.
|
|
Eric Mouchet Gallery
|
| |
|
In his work, Lebrija examines notions of time, freedom and play, and their relationship to power. From these investigations, actions and gestures arise and confer to his practice a performative dimension. The artist often appears in his own photographs and films, casting himself as a sort of antihero in situations tinged with existential humor.
|
|
Laurent Godin Gallery
|
| |
|
7 PM → 10 PM
|
Event
|
(French only) Nocturne en musique avec le duo LES CHASSE SPLEEN
Un-Spaced Gallery
|
| |
|
7 PM
Patrick Javault hosts Pierre Dumonthier, Bernard Marcadé, Alberto Sorbelli and Marion Uguen on the occasion of the release of the 9th edition of the revue Josefffine. Mediation and tuition, as key drivers of artistic creation, are at the heart of an editorial approach which takes contributions form artists, researchers and teachers.
|
|
Lecture
Fondation d’entreprise Pernod Ricard
|
| |
|
Practising art in its multifarious forms, Bonnard advocated a basically decorative aesthetic. His acute sense of light, his fascination for the bright colours and utopia of the Midi region, perceived as a rediscovered antique paradise, led him to represent his vision of Arcadia, revealing an instinctive and supremely sensitive artist.
|
|
Musée d’Orsay
|
| |
|
5 PM → 10 PM
The Laure Roynette gallery invites you on an exceptional evening with the artist François Fries Tuesday 17 March, finishing at 10pm.
|
|
Meeting
Laure Roynette Gallery
|
|
