|
|
The Israeli cinematographer Amos Gitai donated his archives to the Cinémathèque française. Part of what makes them unique is the paradoxical difficulty in identifying the place of “I”, they are more a deformed self-portrait in relief. Such are the enigmatic drawings that he made while convalescing, after the helicopter crash where he almost died.
|
Cinémathèque française
|
|
|
Based on cultural elements gleaned from their residencies, the artists propose on the occasion of this evening to interact with the audience, in order to open a window of dialogue on the realities of their project “Travelling Natures”.
|
Event
Synesthésie ¬ MMAINTENANT
|
|
|
Augustin Rebetez’s style is an effusive, shifting mania for the makeshift. Bricolage that is shot through with humor. For his first solo show in Paris, at the Centre culturel suisse, Rebetez has developed the idea of a teeming “minuscule exhibition” made up of a multitude of small-format works: framed drawings, paintings, texts, and videos playing on several screens.
|
CCS — Centre culturel suisse
|
|
|
Laura Gozlan invites us to reflect on the notion of utopia. She dematerialises the video of her support such that the medium is completely integrated into her sculptures. Form and substance become one, creating an intrinsic link between these mediums. The artist here offers a new vision of her work, using space as the medium for a unique oeuvre.
|
Florence Leoni Gallery
|
|
|
8 PM → 10 PM
The second part of the choreographer Latifa Laâbissi’s residence focuses on the notion of ‘re-enactment’, notably exploring a body of scores which have been drawn from living arts and historical fact. This second part will open with the pieces ‘Écran somnambule’ and ‘La part du rite’.
|
Performance
Les Laboratoires d’Aubervilliers
|
|
|
When he suddenly passed away, Michael Biberstein had been working on a project for several years which was very close to his heart: the creation of a ceiling or “Sky” for the Santa Isabel Church in the Campo de Ourique, Lisbon. When talking about this Church, Michael Biberstein described it as a “precious stone kept inside a black box with a dull, dark-grey cover”.
|
Jeanne Bucher Jaeger | Paris, Marais Gallery
|
|
All day
|
Lecture
|
Saturday 1 March from 15:00
Invitees: Naïm Aït-Sidhoum, Laure Brayer, Bruno Queysanne, Dominique Marchais and Nicolas Tixier
Figure 4: Urban Landscape Sunday 2 March 14:00
Invitees: Géraldine Gourbe and Ariane Michel Figure 5: The domestic animal
CNEAI = Centre National Édition Art Image
|
|
|
(French only) S’intéresser à la lumière, c’est d’abord réfléchir à comment la lumière peut être en soi un médium, un élément d’écriture au service d’une œuvre artistique. Tout en faisant partie du vocabulaire plastique, la lumière peut également devenir sujet de l’œuvre. Elle peut enfin être pur sujet de représentation.
|
Sator Gallery
|
|
|
The format for this project seeks to emphasise the interaction between the various supports in his creative process and to choreograph the artistic tension produced by this interaction. The decision to juxtapose works from different times in his creative life gives rise to a narrative semantic space between the works and the periods.
|
Thaddaeus Ropac Paris Pantin Gallery
|
|
|
On the African continent, the initiation ceremony marks a mandatory rite of passage for each individual. For some countries in western Africa, it is the Poro initiation which plays a primordial role in a number of communities in the region. The exhibition examines in particular the secret societies of the Guinean forests: Liberia, Guinea, Ivory Coast.
|
Musée du quai Branly
|
|
|
The sculptor Richard Hudson emphasised femininity in his abstract expressionist work. Marilyn Monroe’s undulating soft lines and sensual forms reflect her luxurious femininity which is comforted by the sculpture’s polish and reflective surfaces.
|
Inception Gallery
|
|
|
Associated to the 10th edition of Miniartextil, Galerie Yukiko Kawase invited four artists of different backgrounds to show their creations in the exhibition “régénération”. The stored energy is channelled into these sculptures made of various textile materials to create the garden of regeneration
|
Yukiko Kawase Gallery
|
|
|
(French only) Icône anticonformiste des années 1920 et 1930, poète, éditrice, collectionneuse, militante, journaliste, mais aussi modèle de Man Ray et muse d’Aragon, l’anglaise Nancy Cunard symbolise une période où l’avant-garde artistique et littéraire s’imbriquait avec le monde politique.
Engagée contre le colonialism…
|
Musée du quai Branly
|
|
6 PM
|
Opening
|
(French only) 10ème exposition d’art textile contemporain à la ville de Montrouge.
Yukiko Kawase Gallery
|
|
|
With twenty masterly works — hours of video on over thirty screens — Bill Viola at the Grand Palais is one of the largest retrospectives of this artist’s work. Viola sees this exhibition as an inner journey, divided into three phases around major metaphysical questions: Who am I? Where am I? Where am I going?
|
Les Galeries nationales du Grand Palais
|
|
|
Recently, Xooang Choi’s work has begun to explore explicitly “ordinary” subjects. Although themes of society, collective and cultural structures are important, it is always made up of individual “humans”. Choi sculptures frame the importance of these individual traits examining self-awareness and the inner conflicts of ordinary people.
|
Albert Benamou Gallery
|
|
|
The RX gallery hosts the new individual exhibition of the French artist Benoit Lemercier. Ten works of sculpture are presented, some of which are new. This exhibition presents a poetic interpretation of the universe’s two geographical and temporal extremities.
|
RX Gallery
|
|
|
(French only) A l’occasion de l’acquisition en 2012 de deux sculptures majeures de Raymond Mason, le Musée d’Art moderne de la Ville de Paris rend hommage à l’artiste d’origine britannique. Autour des deux œuvres « La Place de l’Opéra » et « Le Voyage », s’articule un choix de sept sculptures et de plusieurs dessins datant de 1950 à 2008.
|
Musée d’Art Moderne de la ville de Paris
|
|