| |
|
The Centre Pompidou pays tribute to one of the most complex and prolific artists of the 20th century: Salvador Dali. Dali is one of the undisputed masters in the history of modern art and one of its most popular figures at the same time. A highly controversial artist, his theatricality and greed as well as his provocative political stances were often derided.
|
|
Centre Georges Pompidou
|
| |
|
7 PM
The Marian Goodman gallery has the pleasure of inviting you to Béatrice Gross’ conference on the work of Sol LeWitt. Béatrice Gross was the curateur of two recent exhibitions on Sol Lewitt at the Centre Pompidou-Metz and the M-Museum de Louvain.
|
|
Lecture
Marian Goodman Gallery
|
| |
|
For the first time in France, the Louvre presents an exhibition dedicated to the art of Johann Georg Pinsel, who was active in the mid-eighteenth century in Galicia. The exhibition provides a rare opportunity to view thirty of the artist’s sculptures, most of them in wood, a number of which include polychrome or gilt decoration.
|
|
Le Louvre
|
| |
|
(French only) Artiste multi-facettes et illustratrice née en 1970, Chloé Poizat déploie son travail autour de la fiction et du lien particulier qu’elle entretient avec la littérature et le cinéma. La métamorphose, l’absurde et la citation en sont des aspects récurrents composant un véritable « exotisme noir ».
|
|
Point Ephémère
|
| |
|
Xpo Gallery presents the first Paris show of Joe Clark. The artist’s work orbits the photographic image, testing his relationship to it by approaching it’s making and display from various formal and technical perspectives. This body of work pays particular attention to the exotic and the creation of desire and otherness.
|
|
Xpo Gallery
|
| |
|
(French only) « Je suis dépourvu de foi et ne puis donc être heureux, car un homme qui risque de craindre que sa vie soit une errance absurde vers une mort certaine ne peut être heureux. Je n’ai reçu en héritage ni dieu, ni point fixe sur la terre d’où je puisse attirer l’attention d’un dieu ». — Stig Dagerman
|
|
Florence Leoni Gallery
|
| |
|
8 PM → 10 PM
|
Screening
|
(French only) Projections :
« Capitulation Project » de Frédéric Moser et Philippe Schwinger, 21’34’’, 2003, « November » d’Hito Steyerl, 25’, 2004 et « Faire le mur » de Bertille Bak, 17’, 2008
ENSAPC YGREC
|
| |
|
Before the inauguration of his solo show at Galerie Georges-Philippe et Nathalie Vallois by Paul Kos, this Californian artist has been known in France essentially through a few emblematic pieces seen in group shows, and because of his presence in collections such as the Fondation Kadist and the Fonds Régional d’Art Contemporain Lorraine.
|
|
Galerie G-P & N Vallois
|
| |
|
Giving onto the Paul Kos solo show in Galerie Vallois, the _Project Room_ is occupied by Julien Berthier (born 1975).
|
|
Galerie G-P & N Vallois
|
| |
|
Agreeing to curate this show, in the period that straddles the waning year, validates my claim to stake a presence at the very heart of this turning point, filled, to be sure, with happy remembrances but also with the recall of more somber ones. A bittersweet nostalgia haunts my soul, fueled by memories of two books.
|
|
Praz-Delavallade Gallery
|
| |
|
(French only) La galerie a confié à Stéphanie Cottin, le commissariat de l’exposition « Studio Meublé » qui rassemble quatre jeunes artistes. Tous habités par le cinéma, son histoire, avouent formellement leur fascination pour les productions américaines, pour le cinéma asiatique, certains avouent aussi un attachement particulier pour les séries et les reality show.
|
|
Jérôme Poggi Gallery
|
| |
|
On the occasion of ”Le Mois de la photo 2012” biennale in Paris, Polka Galerie presents ”Format Pola”, a group show on the theme of ”Small is beautiful” submitted by Agnès de Gouvion Saint-Cyr.
|
|
Polka Galerie
|
| |
|
During the night at Colinière, the pilot, the marquise and their guests act like children, to escape the thought that the world is on the verge of ruin. On the eve of the apocalypse, they meet for a hunt, a perfect alibi for amorous to-ings and fro-ings amongst the elite.
|
|
Semiose Gallery
|
| |
|
(French only) l 140 se présente comme un lieu singulier dans lequel il semble difficile d’habiter. Trop exigu, trop ouvert sur l’extérieur, l 140 se positionne délibérément du côté de l’excès. Il invite à habiter l’artifice d’une ville, aujourd’hui, à distance de tout rythme ou schéma naturel.
|
|
GDM, Paris — Galerie de Multiples
|
| |
|
3 PM
Françoise Parfait has published several texts on video and the moving image and how they have been received. “The artists brought together by Michel François in this exhibition reach back to cinema’s early days and have developed simple yet greatly sophisticated devices in order to affect our thoughts.” — F.P.
|
|
Meeting
CPIF — Centre photographique d’Ile-de-France
|
| |
|
(French only) Mathieu Mercier développe une pratique protéiforme et mouvante, à la limite des catégories esthétiques que nous sommes tentés de lui assigner pour la cerner. Son œuvre semble se construire avec méticulosité, selon une logique aussi implacable qu’insaisissable. La Fondation d’entreprise Ricard consacre son espace à un nouveau projet de l’artiste.
|
|
Fondation d’entreprise Pernod Ricard
|
|
